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Title: An Acceptable Loss

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Former top U.S. security adviser Elizabeth “Libby” Lamm (Sumpter) is threatened by associates from her dark past including Rachel Burke (Curtis), a steely, commanding politician with an unwavering knack for achieving her goals. Colluding with Rachel is Adrian, an unyielding, patriotic chief of staff. Martin (Tavassoli) harbors another type of obsession with Libby in this story of betrayal and regret.

Live streaming is the delivery of Internet content in real-time, as events happen, much as live television broadcasts its contents over the airwaves via a television signal. Live internet streaming requires An Acceptable Loss a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to An Acceptable Loss distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

A client end-user can use their media player to start An Acceptable Loss playing the digital video content or listens to digital audio content before the entire file has been transmitted. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, An Acceptable Loss as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). For example, in the 1930s, elevator An Acceptable Loss music was among the earliest popularly available streaming media; nowadays
Internet television is a common form of streamed media. The term “streaming media” can apply to media other than video An Acceptable Loss and audio such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”.
The master playlist can list duplicate variant streams that have the same An Acceptable Loss level of quality but are hosted by different servers. This enables the player to swap to a different server for a given bitrate if one of the servers fails. This An Acceptable Loss grants a degree of high availability to serving streams.

This can be combined with adaptability by listing multiple variant streams for each distinct quality level.

n WWDC2016 Apple announced the inclusion An Acceptable Loss of byte-range addressing for fragmented MP4 files, or fMP4, allowing content to be played in HLS without the need to multiplex it into MPEG-2 Transport Stream. The industry considered this An Acceptable Loss as a step towards compatibility between HLS and MPEG-DASH.

Adobe Systems demonstrated an update to its Adobe
Flash Media Server product supporting HTTP Live Streaming at the An Acceptable Loss NAB Show in April 2011.
Apple Inc. used this on September 1, 2010 to stream its iPod Keynote event live over the internet, and on October 20, An Acceptable Loss 2010 to stream its ‘Back to the Mac’ Keynote event live over the Internet.
Google added HTTP Live Streaming support in Android 3.0 (Honeycomb).
An Acceptable Loss Helix Universal Server from RealNetworks supports iPhone OS 3.0 and later for live and on-demand HTTP Live or On-Demand streaming of H.264 and AAC content to iPhone, iPad and iPod An Acceptable Loss initial release April 2010, latest release November 2012.
flashls is an open-source Adobe Flash/Adobe AIR plugin that provides HTTP Live Streaming support for Chromeless Flash/Air Player, Flowplayer, An Acceptable Loss Video.js, mediaelement.js and Open Source Media Framework 2.0.
HP added HTTP Live Streaming support in webOS 3.0.5.
Microsoft added support for HTTP Live Streaming An Acceptable Loss
in EdgeHTML rendering engine in Windows 10 in 2015.
Microsoft added support for HTTP Live Streaming in IIS Media Services 4.0.
Yospace added HTTP An Acceptable Loss Live Streaming support in Yospace HLS Player and SDK for flash version 1.0.
Sling Media added HTTP Live An Acceptable Loss

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